Art binding

Art binding is and always has been a craft carried on by expert workmen, who have acquired skill by years of study and practice in delicate and careful manipulation, which machinery cannot emulate or equal, and which is, after all, not so readily acquired as many would think. To produce a good and … Continue reading

Intellectual efforts

Nowhere have we more fruitful illustration of this demarcation between skill and the more subjective element of design, than in comparing the historical models which have made bookbinding renowned, with the diffusive examples of binding executed by the majority of modern binders. The old binder … Continue reading

Origins

ar beyond the plains of Mesopotamia, on the banks of the Tigris, lie the ruins of ancient Nineveh and Kalach. Until recently huge boulders of rock and mounds of earth, sprinkled with the dust of fallen dynasties, marked the place where once stood the proud capital of the great Assyrian Empire. The … Continue reading

Ornamentation

Ornamentation As to the ornament. The aim in ornamentation is the same in art as that of vegetation is in nature. It beautifies all objects and decorates the palace as well as the cottage with all its belongings. This is not meant to say that it requires ornamental decoration to elevate the product … Continue reading

Styles

Parchment was used as a medium for writing and illuminating religious and scientific manuscripts; it was folded, sewn together and protected by wooden boards; the wooden boards were covered with. leather, the leather was ornamented, incised or tooled. In incising leather, cowhide or deerskin was. … Continue reading